Sederi 7
 Edited by S. G. Fernández-Corugedo
Assistant Editors
Emma Lezcano & Francisco Martín
 Sederi Universidade da Coruña
1996
ISSN 1135-7789


Sederi
Sociedad Española de Estudios Renacentistas Ingleses

The specific aim of the Spanish Society for English Renaissance Studies is to promote, stimulate and give impulse in Spain to the study and research of 16th and 17th century English language, literature and history, and their relationship with their Spanish counterparts, in all aspects: linguistic, literary and cultural.

executive committee

president: Javier Sánchez Escribano, Universidad de Zaragoza.
secretary - treasurer: Andrew Monnickendam, Universidad Autónoma de Barcelona.
committee members: Dionisia Tejera, Universidad de Deusto; Miguel Martínez López, Universidad de Almería; Patricia Shaw (H), Universidad de Oviedo.
general editor: Santiago González y Fernández-Corugedo, Universidad de Oviedo.

editorial committee

José Manuel González y Fernández de Sevilla, Universidad de Alicante; Andrew Monnickendam, Universidad Autónoma de Barcelona; Macario Olivera Villacampa, Universidad de Zaragoza (Huesca); Antonio Ballesteros González, Universidad de Castilla-La Mancha; Clara Calvo López, Universidad de Murcia.


Contents

SECTION I: TOPICS IN RENAISSANCE ENGLISH
Fanego, Teresa: English in Transition 1500-1700: On Variation in Second Person Singular Pronoun Usage: 5-16.
Calvo López, Clara: The Tragicall Historie of Hamlet, Prince of Denmarke and the Pronouns of Address: Q1 (1603) versus
                                   Q2 (1604/5): 17-22.
Martín Miguel, Francisco & González, Santiago: Addressing Formulae and Politeness in The Shepheards Calender: 23-38.
Gómez Soliño, José S.: Continental English and the Standardization of the English Language in the Early Sixteenth Century:
                                         1525-1540: 39-46.
Expósito, María Cruz: Internal Relations in Double-headed Noun Phrases: 47-56.
Lezcano, Emma: The choice of relativizers in Early Modern English: evidence from the Helsinki Corpus: 57-66.
Núñez Pertejo, Paloma: The House is Building: Active Progressive with Passive Meaning: 67-72.
Verdaguer, Isabel & Poch, Anna: The interaction of polysemy and complementation: A case study: 73-79.
Stone, John: Seventeenth-Century Jurisprudence and Eighteenth-Century Lexicography: Sources for Johnson's
                       Notion of Authority: 79-92.
O'Neill, Maria: Forgotten Figure on the Bridge: 93-98.
Lopez, Ambrosio: The Reinassance Environement of the first Spanish Grammar Published in Sixteenth Century England: 99-106.
Crespo, Begoña: English and French as L1 and L2 in Renaissance England: A Consequence of Medieval Nationalism: 107-114.
Doval, Susana: The English spelling reform in the light of the works of Richard Mulcaster and John Hart: 115- 126.

SECTION II: TOPICS IN LITERATURE & CRITICISM
Shaw, Patricia: Mad Moll and Merry Meg: the Roaring Girls as Popular Heroine in Elizabethan and Jacobean Writings: 129-140.
De Paiva Correia, Maria Hélena: Lyric and lyric sequences: 141-146.
Ribes, Purificación: John Donne: Holy Sonnet XIV or the Plenitude of Metaphor: 147-152.
Lojo, Laura: John Donne. The New Turn of Classical Tradition: 153-158.
Sánchez Mosquera, Ana María: Blurred Contours: An Attempt to Deconstruct the Female Character in Books I and III of
                                                         Edmund Spenser's The Faerie Queene: 159-164.
Flotats, Rosa: Knowledge and Science in Paradise Lost: 165-172.
Tazón, Juan: Death in Northern Africa: the Battle of Alcazar & its Theatrical Representation: 173-178.
Carvalho, Rui: 'A more Familiar Straine': Puppetry and Burlesque, or, Translation as Debasement in Ben Jonson's
                          Bartholomew Fair: 179-186.

SECTION III: SHAKESPEARE
Cooper, Helen: Hamlet and the Invention of Tragedy: 189-200.
Tronch, Jesús: Dramaturgy of the Acting Version of the First Quarto of Hamlet: 201-216.
Gómez Lara, Manuel: Emblems of  Darkness: Othello 1604 & the Masque of Blackness 1605: 217-224.
Prieto Pablos, Juan Antonio: Shakespearean Strategies of (Dis)Orientation in Othello, act I: 225-230.
Manzanas, Ana María: Conversion narratives: Othello and other black characters in Shakespeare's and Lope de Vega's plays: 231-236.
Gregor, Keith: The Elusive Ensign: Towards a 'Grammar' of Iago's Motives: 237-242.
Ballesteros, Antonio: 'Deformed, unfinished, sent before my time': Monstrosity in Richard III and Mary Shelley's Frankenstein: 243-248.
Alvarez Faedo, María José: The Epic Tone in Shakespeare's Henry V: 249-252.
Cora, Jesús: Shylock's five-facetted character: 253-260.
Arias Doblas, María del Rosario: Gender Ambiguity and Desire in Twelfth Night: 261-264.
González Campos, Miguel Angel: An Isle full of Noises, Sounds and Sweet Airs: Shakespeare's The Tempest and Krzysztof
                                                           Kieslowski's Red: 265-268.
Muñoz Valdivieso, Sofía: 'He hourly humanizes': Transformations and Appropiations of Shakespeare's Caliban: 269-272.
Soubriet, Beatriz: Ovid & Shakespeare's Venus and Adonis: A Study of sexual-role reversal: 273-276.
Bueno Alonso, Jorge Luis: The Fair and the Unfair: Renaissance Images and their change in Shakespeare's Sonnets: 277-286.
Martínez, Miguel: Teaching Shakespeare's Sonnets: Time as Fracture in Sonnets 18, 60, 73: 287-296.
Sánchez Escribano, F. Javier: Who's who in Sederi (1996): 297-318.

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