Sederi 8
Edited by Juan Antonio Prieto Pablos
Manuel Gómez Lara & María
José Mora Sena
& S. G. Fernández-Corugedo
Sederi — Universidad
de Sevilla
1998
ISSN 1135-7789
Sederi
Sociedad Española de Estudios Renacentistas Ingleses
Edited by Juan Antonio Prieto Pablos
Manuel Gómez Lara & María
José Mora Sena
& S. G. Fernández-Corugedo
Sederi — Universidad
de Sevilla
1998
ISSN 1135-7789
The specific aim of the Spanish Society for English Renaissance Studies is to promote, stimulate and give impulse in Spain to the study and research of 16th and 17th century English language, literature and history, and their relationship with their Spanish counterparts, in all aspects: linguistic, literary and cultural.
executive committee
editorial board
Section I: Topics in Early Modern English
García-Bermejo Giner, María Fuencisla: Some Northern
Dialect Features in Deloney’s
Thomas of Reading. 5
O’Neill, Maria: "The Sweet Smoke of Rhetoric": Some Observations on
Shakespeare’s Theory of Language. 19
Rodríguez Ledesma, Nieves: Othere places delitables in
two sixteenth-century texts. 25
Varela Pérez, José Ramón: The use of periphrastic
do
in Early Modern English negative declaratives: evidence from the
Helsinki Corpus. 35
Section II: Topics in Literature & Criticism
Martínez-Dueñas Espejo, José Luís: Rhetorical
tradition and the argument of separation: Milton’s The Doctrine and
Discipline of Divorce. 49
Ballesteros, Antonio: ‘The Rest is Silence’: Absent Voices in John
Donne’s Songs and Sonnets. 59
Crespo Candeias Velez Relvas, María de Jesus: Sir Robert Sidney’s
Poems Revisited: the Alternative Sequence. 65
Jiménez Heffernan, Julián: John Donne and the New Universe.
Retaking the issue. 71
Jiménez Placer, Susana: New England Puritans: ‘The Lord’s Free
People’. 83
López-Peláez Casellas, Jesús: Social Function
of the Renaissance Concept of Honour: An Introduction. 91
Paiva Correia, María Hélena de: A Sense of Continuity:
lyric sequences, dramatic cycles and narrative pilgrimages in late
medieval and early modern Literature. 99
Tazón Salces, Juan: The Expression of Fear: William Cecils’
The
Execution of Justice. 103
Section III: Topics in Renaissance Women Writers
Hutson, Lorna: ‘Who Speaks for Justice?’: Renaissance Legal Development
and the Literary Voices of Women. 113
Calderón López, María Isabel: ‘If it be naught’:
Margaret Cavendish and the Performance of Transcendence. 137
Cuder Domínguez, Pilar: ‘Pretty Contradictions’: the Virgin
Prostitutes of Aphra Behn’s The Feigned Courtesans.
Domínguez García, Beatriz: Female Relationships in Mary
Pix’s The Beau Defeated. 147
Villegas López, Sonia: Transgression and After: Fathers and
Daughters in Susanna Centlivre’s
The Busybody. 163
Section IV: Shakespeare & Theatre
Wells, R. H.: Shakespeare, Virgil and the Politics of Violence.
173
Solokova, Boika: A clockwork brick in the Wall: Shakespeare and Communist
Aesthetics. 191
Carvalho Homem, Rui: At the damsels’ feet: Translation and decorum
in a nineteenth-century Hamlet. 203
Díaz Fernández, José Ramón: Rosalind in
Jeans: Christine Edzard’s Film Version of As You Like It. 211
Luis Martínez, Zenón: ‘A Speechless Dialect’: Gender
and Self-Recognition in Measure for Measure. 217
Muñoz Valdivieso, Sofía: ‘Silence is the perfectest herald
of joy’: The Claudio-Hero Plot in Kenneth Branagh’s
Much Ado About Nothing. 227
Portillo, Rafael and Mercedes Salvador: Shakespeare in Spanish Translations:
Recent Findings About the
Nacente Collection. 233
Tronch Pérez, Jesús: ‘Conflation’ in the non-conflated
Shakespearian editions. 239
Cora Alonso, Jesús: The Circle Pattern in Ben Jonson’s Volpone.
251
Figueirôa Navarro Machado, Maria Salomé: The Three Faces
of the Goddess in Ben Jonson’s
Masque of Queens. 269
González Campos, Miguel Ángel: Crime, Revenge and Horror:
Peter Greenaway’s The Cook, The Thief, His Wife
and Her Lover as a Jacobean Revenge Tragedy. 275
González Fernández de Sevilla, José Manuel: The
Court Drama of Ben Jonson and Calderón. 281
Hidalgo Ciudad, Juan Carlos: Marlowe, Jarman, and Edward II: Use or
Abuse? 291
Vélez Núñez, Rafael: Beyond the emblem: Alchemical
Albedo in Ben Jonson’s The Masque of Blackness. 297
