{"id":393,"date":"2025-02-24T09:18:24","date_gmt":"2025-02-24T08:18:24","guid":{"rendered":"https:\/\/www.unioviedo.es\/ballet-esp\/?page_id=393"},"modified":"2025-02-24T18:11:12","modified_gmt":"2025-02-24T17:11:12","slug":"publicaciones-jose-antonio-gomez-rodriguez","status":"publish","type":"page","link":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/publicaciones\/publicaciones-jose-antonio-gomez-rodriguez\/","title":{"rendered":""},"content":{"rendered":"\n<p class=\"has-heading-font-family\"><strong>JOS\u00c9 ANTONIO G\u00d3MEZ RODR\u00cdGUEZ<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family has-medium-font-size wp-elements-97d6d10b208337fa620a229186901e57\">G\u00d3MEZ RODR\u00cdGUEZ, Jos\u00e9 Antonio. 2014. \u00ab\u201c[\u2026] y se llama Rogelia\u201d. Notas para una biograf\u00eda de Rogelia Gayo, \u2039La Vaqueira\u203a, excepcional informante de Constantin Br\u0103iloiu y Alan Lomax\u00bb. En: <em>La mujer en el folklore musical asturiano. Homenaje a Rogelia Gayo, <\/em>ed. J. A. G\u00f3mez Rodr\u00edguez, pp. 54-203. Luarca (Asturias): Ayuntamiento de Vald\u00e9s. ISBN: 978-84-697-0452-3.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family has-medium-font-size wp-elements-8dae65946319715e1cc4bb9c534946cc\">G\u00d3MEZ RODR\u00cdGUEZ, Jos\u00e9 Antonio, 2014. \u00abFama y olvido de una mujer de pueblo. Rogelia Gayo y el grupo de baile \u201cVaqueiros de Alzada\u201d\u00bb. En: <em>Mujeres en guerra \/ Guerra de mujeres en la sociedad, el arte y la literatura, <\/em>ed. E. Gonz\u00e1lez de Sande y M. Gonz\u00e1lez de Sande, pp. 619-633. Sevilla: Arcibel editores. ISBN: 978-84-15335-56-6.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family has-medium-font-size wp-elements-967167f443a404bcd43de6079f95a667\">G\u00d3MEZ RODR\u00cdGUEZ, Jos\u00e9 Antonio. 2012. \u00abAlgunas consideraciones en torno a la recopilaci\u00f3n de la m\u00fasica tradicional en Espa\u00f1a, 1900-1950\u00bb. En: <em>Os so\u00f1os da memoria. Documentaci\u00f3n musical en Galicia: metodolox\u00edas para o estudio, <\/em>ed. M. Capel\u00e1n, L. Costa, F. J. Garbayo y C. Villanueva, pp. 27-53. Pontevedra: Diputaci\u00f3n de Pontevedra. ISBN: 978-84-695-4988-9.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family has-medium-font-size wp-elements-2f6499eaa3f8f8b6ea4aa718c6cf125b\">G\u00d3MEZ RODR\u00cdGUEZ, Jos\u00e9 Antonio. 2009. \u00abUn cancionero excepcional ninguneado por la (etno)musicolog\u00eda espa\u00f1ola\u00bb. <em>Revista de Musicolog\u00eda. <\/em>XXXII\/2, pp. 69-89. Madrid. ISSN: 0210-1459.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family has-medium-font-size wp-elements-cb3022ce3737154d749dc2f9573fdb2c\">G\u00d3MEZ RODR\u00cdGUEZ, Jos\u00e9 Antonio. 2007. \u00abEl <em>Cancionero Musical de la L\u00edrica Popular Asturiana, <\/em>de Eduardo Mart\u00ednez Torner, y la recopilaci\u00f3n de la m\u00fasica tradicional espa\u00f1ola en la primera mitad del siglo xx\u00bb. En <em>Actes del II Conceyu Internacional de lliteratura Asturiana (CILLA). Uvi\u00e9u, 5, 6, 7 y 8 de payares 2007, <\/em>pp. 49-72. Uvi\u00e9u: Academia de la Llingua Asturiana. ISBN: 978-84-8168-478-0.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>JOS\u00c9 ANTONIO G\u00d3MEZ RODR\u00cdGUEZ<\/p>\n","protected":false},"author":1,"featured_media":256,"parent":218,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-393","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/393","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/comments?post=393"}],"version-history":[{"count":3,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/393\/revisions"}],"predecessor-version":[{"id":446,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/393\/revisions\/446"}],"up":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media\/256"}],"wp:attachment":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media?parent=393"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}