{"id":494,"date":"2025-02-28T09:24:23","date_gmt":"2025-02-28T08:24:23","guid":{"rendered":"https:\/\/www.unioviedo.es\/ballet-esp\/?page_id=494"},"modified":"2025-11-20T16:14:19","modified_gmt":"2025-11-20T15:14:19","slug":"publicaciones-raquel-lopez-fernandez","status":"publish","type":"page","link":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/publicaciones\/publicaciones-raquel-lopez-fernandez\/","title":{"rendered":""},"content":{"rendered":"\n<p class=\"has-heading-font-family has-medium-font-size\"><strong>RAQUEL L\u00d3PEZ FERN\u00c1NDEZ<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-682af2fb175a3afa0dcb710fa5a29851\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel. \u00abTraces of Antonia Merc\u00e9 in the Spanish Post-War Period: from hauntology to mythology\u00bb, Spanish Modern Dance issue, Enclaves. Revista de literatura, m\u00fasica y artes esc\u00e9nicas, n\u00ba4, 2025, pp. 103-128. https:\/\/doi.org\/10.12795\/enclaves.2024.i04.07<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-c7183e3573a6698a1814f381d775cf57\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel. 2025. \u00abUna gestualidad sorora: lazos afectivos, hermandades art\u00edsticas y aires flamencos entre la obra de Mar\u00eda Paz Jim\u00e9nez y Rosario Escudero\u00bb. En: <em>Mar\u00eda Paz Jim\u00e9nez. Desvelar el misterio<\/em>, H. Barcenilla y A. Lekuona (coms.). San Sebasti\u00e1n: Kutxa Fundazioa, 2025, pp. 91-99.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-31aa6dd531b4630b116c7c2e47485437\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel. 2024. \u00abEl talism\u00e1n de su piel: el arte y la sanaci\u00f3n a trav\u00e9s de la danza esc\u00e9nica de Ana de Espa\u00f1a\u00bb. En: <em>Cosmolog\u00eda esot\u00e9rica. Arte, Ciencia y Espiritualidad de mujeres visionarias en la Europa de principios del Siglo XX<\/em>, P. Bonet y M.J. Gonz\u00e1lez Madrid (eds.). Vitoria-Gasteiz: Sans Soleil, pp. 211-238.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-19f552fc3d62877bc052b667ef44dd09\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel. 2024. \u00abMapas c\u00f3smicos: los pasos de Vicente Escudero en el franquismo\u00bb. En: <em>Coreograf\u00eda. Bailes y danzas de Vicente Escudero<\/em>, cat. expo., Pedro G. Romero (ed.). &nbsp;Granada: Centro Federico Garc\u00eda Lorca, 2024, pp. 297-322.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-3e71f82ff828c8d948bb058474544d72\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel. 2024. \u00abCosmic Maps: Vicente Escudero\u2019s steps under Francoism\u00bb. En: <em>Coreograf\u00eda. Bailes y danzas de Vicente Escudero<\/em>, cat. expo., Pedro G. Romero, (ed.). Granada: Centro Federico Garc\u00eda Lorca, pp. 361-371.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-595d42c11f1332f7a14d7ec29f928413\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel. 2023. \u00abEntre el \u201cser nacional\u201d y el \u201chabitar alado\u201d: la danza esc\u00e9nica espa\u00f1ola, un arte intermedial en los confines de la dictadura franquista\u00bb. En: <em>Arte en colectivo. Autor\u00eda y agrupaci\u00f3n, promoci\u00f3n y relato de la creaci\u00f3n contempor\u00e1nea<\/em>, W. Rinc\u00f3n y M. Caba\u00f1as Bravo (eds.). Madrid: CSIC, 2023, pp. 147-168.<strong> <\/strong><a href=\"https:\/\/digital.csic.es\/handle\/10261\/336158\">https:\/\/digital.csic.es\/handle\/10261\/336158<\/a><\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-a43d95e920ce43c2c6664932a7e55bdc\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel. 2020. \u00abOtras caras del sombrero: la escenograf\u00eda de <em>El sombrero de tres picos<\/em> en la Espa\u00f1a franquista\u00bb. En: <em>Un ballet en el balc\u00f3n de Europa: Repensar El sombrero de tres picos cien a\u00f1os despu\u00e9s<\/em>, D. Gonz\u00e1lez Mesa; A. Mart\u00edn Moreno; I. Murga Castro y E. Torres Clemente (eds.). Granada: Archivo Manuel de Falla, pp. 587-614.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-0a45c53bf0da5780b2778f92ee803705\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel; CARBAJAL SEGURA, Claudia. 2019. \u00abEl clavel y el nopal: El ballet de Ana Mar\u00eda en M\u00e9xico (1943)\u00bb. En: <em>Identidades y tr\u00e1nsitos en el exilio espa\u00f1ol de 1939 hacia Latinoam\u00e9rica<\/em>, M. Caba\u00f1as (ed.). Madrid: DoceCalles, pp. 301-324. <a href=\"https:\/\/digital.csic.es\/handle\/10261\/227981\">https:\/\/digital.csic.es\/handle\/10261\/227981<\/a><\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-257adeb956c410cfbca701c7a4e71155\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel. 2018. \u00abLucas, 15-24\/ Luisillo 27: 9-65. El convite de un ballet espa\u00f1ol en el Vaticano\u201d. En: <em>La investigaci\u00f3n en danza<\/em>, <em>Sevilla 2018<\/em>, VV.AA. Valencia: Mahali, pp. 61-66.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-560063e19b2a0474a802c270a8c96e22\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel. 2017. \u00abImaginarios de la danza espa\u00f1ola: la escenograf\u00eda en la puesta en escena del Mariemma Ballet de Espa\u00f1a\u00bb. En: <em>Mariemma y su tiempo<\/em>, M.R. Ruiz Cel\u00e1, A. \u00c1lvarez Ca\u00f1ibano y P. De Castro Fern\u00e1ndez (eds.). Madrid: INAEM, pp. 251-284. <\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-108dcbaef94dd9ff8f0289ca6fba624f\">L\u00d3PEZ FERN\u00c1NDEZ, Raquel. 2016. \u00abDe gira con el franquismo: Mariemma, entre la oficialidad y la subversi\u00f3n\u00bb. En: <em>La investigaci\u00f3n en danza: Valencia 2016<\/em>, vol. 2, VV.AA. Valencia: Mahali, pp. 171-178.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>RAQUEL L\u00d3PEZ FERN\u00c1NDEZ<\/p>\n","protected":false},"author":1,"featured_media":256,"parent":218,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-494","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/comments?post=494"}],"version-history":[{"count":5,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/494\/revisions"}],"predecessor-version":[{"id":731,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/494\/revisions\/731"}],"up":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media\/256"}],"wp:attachment":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media?parent=494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}