{"id":536,"date":"2025-03-01T09:00:12","date_gmt":"2025-03-01T08:00:12","guid":{"rendered":"https:\/\/www.unioviedo.es\/ballet-esp\/?page_id=536"},"modified":"2025-03-06T09:06:52","modified_gmt":"2025-03-06T08:06:52","slug":"publicaciones-karlos-xabier-sanchez-ekiza","status":"publish","type":"page","link":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/publicaciones\/publicaciones-karlos-xabier-sanchez-ekiza\/","title":{"rendered":""},"content":{"rendered":"\n<p class=\"has-heading-font-family\"><strong>KARLOS XABIER S\u00c1NCHEZ EKIZA<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family has-medium-font-size wp-elements-34f4964dc38550adaf82173540b51a5b\">S\u00c1NCHEZ EKIZA, Karlos. 2017. \u00abCuando en Castilla sepan que se toca el chistu: la participaci\u00f3n vasca en los concursos de la Secci\u00f3n Femenina y en sus viajes.\u201d En: <em>Dance,&nbsp;Ideology and power in Francoist Spain (1938-1968)<\/em>. Beatriz Mart\u00ednez del Fresno y Bel\u00e9n Vega Pichaco (eds.).Turnholt: Brepols, pp. 31-66.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>KARLOS XABIER S\u00c1NCHEZ EKIZA<\/p>\n","protected":false},"author":1,"featured_media":256,"parent":218,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-536","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/536","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/comments?post=536"}],"version-history":[{"count":2,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/536\/revisions"}],"predecessor-version":[{"id":603,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/536\/revisions\/603"}],"up":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media\/256"}],"wp:attachment":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media?parent=536"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}