{"id":541,"date":"2025-03-01T11:33:00","date_gmt":"2025-03-01T10:33:00","guid":{"rendered":"https:\/\/www.unioviedo.es\/ballet-esp\/?page_id=541"},"modified":"2025-03-05T13:25:27","modified_gmt":"2025-03-05T12:25:27","slug":"proyecto-de-investigacion","status":"publish","type":"page","link":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/proyecto-de-investigacion\/","title":{"rendered":"Proyecto de investigaci\u00f3n"},"content":{"rendered":"\n

REFERENCIA<\/strong><\/p>\n\n\n\n

Proyecto de I+D+i PID2023-146200NB-I00, financiado por MCIU \/ AEI \/ 10.13039\/501100011033 \/ FEDER, UE<\/p>\n\n\n\n

En busca del ballet espa\u00f1ol (1952-1982): dimensiones pol\u00edticas y art\u00edsticas, identidades nacionales y de g\u00e9nero, funciones diplom\u00e1ticas y recepci\u00f3n en Espa\u00f1a y Am\u00e9rica<\/em> (BALLET-ESPA\u00d1OL)<\/strong><\/p>\n\n\n\n

Este proyecto es continuaci\u00f3n de otros previos, desarrollados entre 2014 y 2022 (HAR2013-48658-C2-2-P y RTI2018-093436-B-I00), en los que se exploraron las funciones cumplidas por la m\u00fasica y la danza durante la Guerra Civil, el franquismo y la Transici\u00f3n democr\u00e1tica. De ellos surgi\u00f3 la necesidad plantear un estudio espec\u00edfico del ballet espa\u00f1ol, ya que, pese a los acercamientos al g\u00e9nero en la Edad de Plata, fue durante la dictadura de Franco cuando se multiplic\u00f3 el n\u00famero de compa\u00f1\u00edas de este tipo y florecieron nuevas obras con argumento y puesta en escena. Dos ministerios (MIT y MAE) trataron de impulsar la danza en los festivales y de organizar giras de algunas compa\u00f1\u00edas por el extranjero que incidir\u00edan en el \u00e1mbito de la diplomacia cultural. Todo este desarrollo condujo a la creaci\u00f3n en 1978 del Ballet Nacional Espa\u00f1ol (Ballet Nacional de Espa\u00f1a), que el Ministerio de Cultura sigue sosteniendo en la actualidad.<\/p>\n\n\n\n

Con un equipo interdisciplinar que integra a expertos\/as en Danza, (Etno)musicolog\u00eda, Filosof\u00eda, Arte, Literatura, Cine y Comunicaci\u00f3n Audiovisual, se pretende profundizar de manera coordinada en las m\u00faltiples dimensiones del tema. Los discursos sobre el ballet espa\u00f1ol elaborados \u201coficialmente\u201d desde Madrid ser\u00e1n comparados con los que perfilaron los propios artistas y la cr\u00edtica. Paralelamente, se efectuar\u00e1 el seguimiento de una muestra representativa de compa\u00f1\u00edas, dirigidas tanto por hombres como por mujeres, incluyendo en ella agrupaciones de folclore, danza estilizada, flamenco y escuela bolera. La vocaci\u00f3n nacional de algunos proyectos se contrastar\u00e1 con otros que pusieron en juego identidades supranacionales, subestatales y regionales, con especial atenci\u00f3n a estudios de caso de la zona Norte: Galicia, Asturias, Pa\u00eds Vasco y Catalu\u00f1a.<\/p>\n\n\n\n

Para todo ello se recopilar\u00e1 un abanico muy amplio de fuentes documentales, orales, literarias, musicales, pl\u00e1sticas y audiovisuales, con el fin de alcanzar objetivos de estudio relacionados con dimensiones pol\u00edticas, art\u00edsticas y empresariales; identidades nacionales y de g\u00e9nero; estilos, categor\u00edas e imaginarios; medios t\u00e9cnicos y de representaci\u00f3n. Se dilucidar\u00e1n adem\u00e1s continuidades y rupturas entre el franquismo y la Transici\u00f3n, particularmente en lo relativo a la historiograf\u00eda de la \u00e9poca sobre baile y danza y a la reacci\u00f3n de los grupos folcl\u00f3ricos respecto a las normativas establecidas por Secci\u00f3n Femenina y Educaci\u00f3n y Descanso. Tambi\u00e9n se prestar\u00e1 especial atenci\u00f3n a la memoria de bailarines\/as activos en compa\u00f1\u00edas del periodo y a los mecanismos de poder y resistencia a trav\u00e9s del cuerpo.<\/p>\n\n\n\n

La circulaci\u00f3n de la danza espa\u00f1ola en Am\u00e9rica ser\u00e1 rastreada en Estados Unidos, M\u00e9xico, Argentina y Uruguay, a trav\u00e9s de la programaci\u00f3n de varios teatros destacados, as\u00ed como de la recepci\u00f3n y transculturaci\u00f3n de la danza espa\u00f1ola en los pa\u00edses mencionados, con seguimiento de algunas giras de especial relevancia para la hispanidad y la diplomacia cultural trasatl\u00e1ntica.<\/p>\n\n\n\n

Adem\u00e1s del estudio hist\u00f3rico, pol\u00edtico y cultural, y del an\u00e1lisis literario, musical, coreol\u00f3gico y visual de un corpus seleccionado de ballets, se efectuar\u00e1 un estudio selectivo de escenas danzadas insertas en el cine espa\u00f1ol, que servir\u00e1n como punto de partida para el Taller de reconstrucci\u00f3n coreogr\u00e1fica, una metodolog\u00eda performativa en la que una parte del equipo tiene una experiencia consolidada en actividades anteriores, que tuvieron una excelente acogida por parte de las instituciones culturales y pedag\u00f3gicas implicadas en ellas.<\/p>\n\n\n\n

\n\n\n\n

In search of Spanish ballet (1952-1982): political and artistics dimensions, national and gender identities, diplomatic functions and reception in Spain and America<\/em><\/strong> (SPANISH-BALLET)<\/p>\n\n\n\n

This project is the continuation of previous projects, undertaken between 2014 and 2022 (HAR2013-48658-C2-2-P and RTI2018-093436-B-I00), that explored the functions of music and dance during the Civil War, the Franco period and the democratic transition. From these projects emerged the need to propose a specific study of Spanish ballet. Although this genre was approached in the Silver Age, it was during the Franco dictatorship that the number of companies of this type increased and new works flourished with plots and staging. Two ministries (MIT and MAE) tried to promote dance in festivals and to organise tours of some companies abroad, which would have an impact in the area of cultural diplomacy. All of this development led to the creation in 1978 of the Ballet Nacional Espa\u00f1ol (Spanish National Ballet of Spain), which the Ministry of Culture still supports today.<\/p>\n\n\n\n

With an interdisciplinary team that includes experts in dance, music, philosophy, art, literature and film, the aim is to deepen knowledge, in a coordinated way, on the many dimensions of the subject. Discourses on Spanish ballet that emerged officially from Madrid will be compared with those generated by the artists and critics. At the same time, a representative sample of companies will be examined. These will have male or female directors and include groups of folk, stylized dance, flamenco and the bolero school. The national focus of some projects will be compared with others that brought into play supranational, substate and regional identities, with a particular focus on case studies in the northern area: Galicia, Asturias, the Basque Country and Catalonia.<\/p>\n\n\n\n

To achieve this, a wide range of documentary, oral, literary, music, plastic arts and audiovisual sources will be compiled to achieve study objectives relating to political, artistic and business dimensions; national and gender identities; styles, categories and imaginaries; technical means and means of representation. In addition, continuities and ruptures between Francoism and the democratic transition will be elucidated, particularly in relation to the historiography of the period on dance and the reaction of folk groups to the guidelines established by the Secci\u00f3n Femenina (Womens Section) and the organisation Educaci\u00f3n y Descanso (Education and Rest).<\/p>\n\n\n\n

There will also be a focus on the memory of dancers who were active in companies in the period and on mechanisms of power and resistance through the body.<\/p>\n\n\n\n

The circulation of Spanish dance in America will be traced in the United States, Mexico, Argentina and Uruguay, through the programming of various notable theatres, and the reception and transculturation of Spanish dance in these countries. Some tours that are of particular relevance for the Spanish world and transatlantic cultural diplomacy will be examined.<\/p>\n\n\n\n

In addition to the artistic, historical, political and cultural study of the selected corpus of ballets, a sample of dance scenes from Spanish film will be analyzed. This will serve as the starting point for the Choreographic reconstruction workshop, a performative methodology in which part of the team has consolidated experience from previous activities, which were very well received by the cultural and educational institutions that were involved in them.<\/p>\n","protected":false},"excerpt":{"rendered":"

REFERENCIA Proyecto de I+D+i PID2023-146200NB-I00, financiado por MCIU \/ AEI \/ 10.13039\/501100011033 \/ FEDER, UE En busca del ballet espa\u00f1ol (1952-1982): dimensiones pol\u00edticas y art\u00edsticas, identidades nacionales y de g\u00e9nero, funciones diplom\u00e1ticas y recepci\u00f3n en Espa\u00f1a y Am\u00e9rica (BALLET-ESPA\u00d1OL) Este proyecto es continuaci\u00f3n de otros previos, desarrollados entre 2014 y 2022 (HAR2013-48658-C2-2-P y RTI2018-093436-B-I00), en […]<\/p>\n","protected":false},"author":1,"featured_media":543,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-541","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/comments?post=541"}],"version-history":[{"count":4,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/541\/revisions"}],"predecessor-version":[{"id":584,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/541\/revisions\/584"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media\/543"}],"wp:attachment":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media?parent=541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}