{"id":552,"date":"2025-03-01T11:58:29","date_gmt":"2025-03-01T10:58:29","guid":{"rendered":"https:\/\/www.unioviedo.es\/ballet-esp\/?page_id=552"},"modified":"2025-03-01T12:08:26","modified_gmt":"2025-03-01T11:08:26","slug":"lineas-de-investigacion","status":"publish","type":"page","link":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/lineas-de-investigacion\/","title":{"rendered":"L\u00edneas de investigaci\u00f3n"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"517\" src=\"https:\/\/www.unioviedo.es\/ballet-esp\/wp-content\/uploads\/2025\/02\/imagenweb_proyecto-2.png\" alt=\"\" class=\"wp-image-26\" srcset=\"https:\/\/www.unioviedo.es\/ballet-esp\/wp-content\/uploads\/2025\/02\/imagenweb_proyecto-2.png 600w, https:\/\/www.unioviedo.es\/ballet-esp\/wp-content\/uploads\/2025\/02\/imagenweb_proyecto-2-300x259.png 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<ul class=\"wp-block-list has-accent-background-color has-background\">\n<li class=\"has-contrast-color has-text-color has-link-color has-heading-font-family wp-elements-22bcc5134663e677160ef8d0dbac043a\" style=\"margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;font-size:clamp(0.875rem, 0.875rem + ((1vw - 0.2rem) * 0.542), 1.2rem);\">La consolidaci\u00f3n del ballet espa\u00f1ol durante el franquismo. Discursos y pr\u00e1cticas. Desarrollos t\u00e9cnicos y de mercado. Diplomacia y propaganda. Imaginarios visuales y cin\u00e9ticos.<\/li>\n\n\n\n<li class=\"has-contrast-color has-text-color has-link-color has-heading-font-family wp-elements-fd9895be142407ec8d4829d9d1f9090f\" style=\"margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;font-size:clamp(0.875rem, 0.875rem + ((1vw - 0.2rem) * 0.542), 1.2rem);\">Danza tradicional e identidades subestatales, desde el franquismo hasta los inicios de la democracia (1952-1982). Poder y resistencias. Etnograf\u00eda y estudio de casos de la franja Norte<\/li>\n\n\n\n<li class=\"has-contrast-color has-text-color has-link-color has-heading-font-family wp-elements-b09b6f846f6ab7fdcdf938ac06ee6b54\" style=\"margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;font-size:clamp(0.875rem, 0.875rem + ((1vw - 0.2rem) * 0.542), 1.2rem);\">El cine como fuente para la historia de la danza espa\u00f1ola. Problem\u00e1tica de la danza filmada y an\u00e1lisis de materiales prof\u00edlmicos y f\u00edlmicos. Hacia un archivo audiovisual<\/li>\n\n\n\n<li class=\"has-contrast-color has-text-color has-link-color has-heading-font-family wp-elements-43624c1fb608da0b27bf640b54cdf94b\" style=\"margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;font-size:clamp(0.875rem, 0.875rem + ((1vw - 0.2rem) * 0.542), 1.2rem);\">Circulaci\u00f3n, recepci\u00f3n y transculturaci\u00f3n de danza esc\u00e9nica espa\u00f1ola en Am\u00e9rica: Estados Unidos, M\u00e9xico, Argentina y Uruguay<\/li>\n\n\n\n<li class=\"has-contrast-color has-text-color has-link-color has-heading-font-family wp-elements-243d4d0736a8cb9d1d34829538c5eb77\" style=\"margin-top:0;margin-right:0;margin-bottom:0;margin-left:0;font-size:clamp(0.875rem, 0.875rem + ((1vw - 0.2rem) * 0.542), 1.2rem);\">An\u00e1lisis e interpretaci\u00f3n pr\u00e1ctica de fragmentos seleccionados de danza espa\u00f1ola. Archivo corporal, reconstrucci\u00f3n y <em>reenactment<\/em><\/li>\n<\/ul>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-552","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/552","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/comments?post=552"}],"version-history":[{"count":5,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/552\/revisions"}],"predecessor-version":[{"id":564,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/552\/revisions\/564"}],"wp:attachment":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media?parent=552"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}