{"id":576,"date":"2025-03-03T18:10:44","date_gmt":"2025-03-03T17:10:44","guid":{"rendered":"https:\/\/www.unioviedo.es\/ballet-esp\/?page_id=576"},"modified":"2025-03-03T18:11:28","modified_gmt":"2025-03-03T17:11:28","slug":"publicaciones-christian-franco-torre","status":"publish","type":"page","link":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/publicaciones\/publicaciones-christian-franco-torre\/","title":{"rendered":""},"content":{"rendered":"\n<p class=\"has-heading-font-family\"><strong>CHRISTIAN FRANCO TORRE<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-161544514cb005f7cea841f70c28550b\">FRANCO TORRE, Christian. 2024. \u00abA missing link between the cinema of the Second Spanish Republic and the first Franco period: Edgar Neville\u2019s <em>Verbena<\/em> (<em>Madrid Carnival<\/em>, 1941)\u00bb. En: <em>The Routledge Handbook to Spanish Film Music<\/em>, L. Miranda (ed.). Londres (Inglaterra): Routledge, pp. 57-65.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-77af5794cfde6a4cbbd73ca1f0f7764c\">FRANCO TORRE, Christian. 2021. <em>La po\u00e9tica del asedio. Cine e historia en la autarqu\u00eda. <\/em>Valencia: Shangrila Textos Aparte.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-c0cbdea39d1f6b2274a7c6a79ddabdb7\">FRANCO TORRE, Christian. 2017. \u00abHacia una oposici\u00f3n cultural y est\u00e9tica: Duende y misterio del flamenco (1952) de Edgar Neville\u00bb. En: <em>Dance, Ideology and Power en Francoist Spain (1938-1968)<\/em>, B. Mart\u00ednez del Fresno, Beatriz y B. Vega Picacho (eds.)- Turnhout (B\u00e9lgica): Brepols, pp. 323-349.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-9511c8170e9ee423a3c38aca29ee90b7\">FRANCO TORRE, Christian. 2015. <em>Edgar Neville. Duende y misterio de un cineasta espa\u00f1ol.<\/em> Santander: Shangrila Textos Aparte.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-40e894355537567fc7485d4bea31f0e0\">FRANCO TORRE, Christian. 2008. \u00abMatizar el pasado: el cine hist\u00f3rico de la autarqu\u00eda\u00bb. En: <em>Actas del I congreso de Historia y Cine<\/em>. M. G. Camarero G\u00f3mez, V. de Cruz Medina, B. de las Heras Herrero. Valencia: Universidad Carlos III de Madrid, pp. 552-568.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-ec0fb1063b0f87d327b5e6bc959cd4a9\">FRANCO TORRE, Christian. 2007. \u00ab<em>La vida en un hilo<\/em> o la b\u00fasqueda de la felicidad\u00bb. En: <em>Universo Neville<\/em>. J. A. R\u00edos Carratal\u00e1 (ed. Lit.). M\u00e1laga: Instituto Municipal del Libro. Pp. 167-182.<\/li>\n\n\n\n<li class=\"has-contrast-2-color has-text-color has-link-color has-heading-font-family wp-elements-d0fd53771079a0e06cccbe779fcd01f2\">FRANCO TORRE, Christian. 2006. \u00abLa correspondencia in\u00e9dita entre el cineasta Edgar Neville y Dionisio Ridruejo (1937-1945)\u00bb. En: <em>La Multiculturalidad en las Artes y en la Arquitectura: XVI Congreso Nacional de Historia del Arte<\/em>. M. de los \u00c1. Delisau Jorge, M. Rodr\u00edguez Padilla, F. J. Pueyo Abril, M. de los R. Hern\u00e1ndez Socorro, (dir.). Las Palmas de Gran Canaria: Gobierno de Canarias, Anroart Ediciones, pp. 655-664.<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>CHRISTIAN FRANCO TORRE<\/p>\n","protected":false},"author":1,"featured_media":256,"parent":218,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-576","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/576","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/comments?post=576"}],"version-history":[{"count":1,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/576\/revisions"}],"predecessor-version":[{"id":578,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/576\/revisions\/578"}],"up":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/pages\/218"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media\/256"}],"wp:attachment":[{"href":"https:\/\/www.unioviedo.es\/ballet-esp\/index.php\/wp-json\/wp\/v2\/media?parent=576"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}