{"id":299,"date":"2025-07-30T11:23:19","date_gmt":"2025-07-30T09:23:19","guid":{"rendered":"https:\/\/www.unioviedo.es\/cijiet.teatrales\/?page_id=299"},"modified":"2025-07-30T11:23:19","modified_gmt":"2025-07-30T09:23:19","slug":"lectura-poetica-poetry-reading","status":"publish","type":"page","link":"https:\/\/www.unioviedo.es\/cijiet.teatrales\/index.php\/lectura-poetica-poetry-reading\/","title":{"rendered":"Lectura po\u00e9tica\/Poetry Reading"},"content":{"rendered":"\n<figure class=\"wp-block-image aligncenter size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"685\" height=\"1024\" src=\"https:\/\/www.unioviedo.es\/cijiet.teatrales\/wp-content\/uploads\/2025\/07\/1000059507-1-685x1024.jpg\" alt=\"\" class=\"wp-image-301\" style=\"width:384px;height:auto\" srcset=\"https:\/\/www.unioviedo.es\/cijiet.teatrales\/wp-content\/uploads\/2025\/07\/1000059507-1-685x1024.jpg 685w, https:\/\/www.unioviedo.es\/cijiet.teatrales\/wp-content\/uploads\/2025\/07\/1000059507-1-201x300.jpg 201w, https:\/\/www.unioviedo.es\/cijiet.teatrales\/wp-content\/uploads\/2025\/07\/1000059507-1-768x1147.jpg 768w, https:\/\/www.unioviedo.es\/cijiet.teatrales\/wp-content\/uploads\/2025\/07\/1000059507-1-1028x1536.jpg 1028w, https:\/\/www.unioviedo.es\/cijiet.teatrales\/wp-content\/uploads\/2025\/07\/1000059507-1-1371x2048.jpg 1371w, https:\/\/www.unioviedo.es\/cijiet.teatrales\/wp-content\/uploads\/2025\/07\/1000059507-1-scaled.jpg 1714w\" sizes=\"auto, (max-width: 685px) 100vw, 685px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group has-global-padding is-layout-constrained wp-block-group-is-layout-constrained\">\n<p class=\"has-text-align-center\">\u00abV\u00ednculos entre la poes\u00eda y el teatro: el yo po\u00e9tico de los\u200b\u00a0<em>Cuentos tradicionales<\/em>\u00a0(Rialp, 2005)\u00bb de <strong>Mar\u00eda Fern\u00e1ndez Abril<\/strong><\/p>\n\n\n\n<p class=\"has-text-align-center\">La poes\u00eda encuentra una de sus dimensiones dram\u00e1ticas en el recitado. Por ello, tras reflexionar sobre los v\u00ednculos entre poes\u00eda y teatro \u2014la escenificaci\u00f3n de los poemas o la relaci\u00f3n entre m\u00fasica y poes\u00eda\u2014 la presente lectura po\u00e9tica recorre, desde una marcada perspectiva de g\u00e9nero, algunas de las composiciones de <em>Cuentos tradicionales<\/em> (Rialp, 2025), en las que, de forma heterodoxa, se da voz a las protagonistas de los cuentos cl\u00e1sicos \u2014Caperucita Roja, La Bella Durmiente, Cenicienta o la Bella y la Bestia\u2014, pero tambi\u00e9n a Lady Godiva, Eva, Pen\u00e9lope o Afrodita o se poetiza el cine, la fon\u00e9tica, pero tambi\u00e9n una escena dram\u00e1tica: la intervenci\u00f3n de Leonardo en <em>Bodas de sangre<\/em> (1931) de Federico Garc\u00eda Lorca.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-group is-content-justification-center is-nowrap is-layout-flex wp-container-core-group-is-layout-23441af8 wp-block-group-is-layout-flex\"><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>\u00abV\u00ednculos entre la poes\u00eda y el teatro: el yo po\u00e9tico de los\u200b\u00a0Cuentos tradicionales\u00a0(Rialp, 2005)\u00bb de Mar\u00eda Fern\u00e1ndez Abril La poes\u00eda encuentra una de sus dimensiones dram\u00e1ticas en el recitado. Por ello, tras reflexionar sobre los v\u00ednculos entre poes\u00eda y teatro \u2014la escenificaci\u00f3n de los poemas o la relaci\u00f3n entre m\u00fasica y poes\u00eda\u2014 la presente lectura [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-299","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.unioviedo.es\/cijiet.teatrales\/index.php\/wp-json\/wp\/v2\/pages\/299","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unioviedo.es\/cijiet.teatrales\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.unioviedo.es\/cijiet.teatrales\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/cijiet.teatrales\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/cijiet.teatrales\/index.php\/wp-json\/wp\/v2\/comments?post=299"}],"version-history":[{"count":1,"href":"https:\/\/www.unioviedo.es\/cijiet.teatrales\/index.php\/wp-json\/wp\/v2\/pages\/299\/revisions"}],"predecessor-version":[{"id":302,"href":"https:\/\/www.unioviedo.es\/cijiet.teatrales\/index.php\/wp-json\/wp\/v2\/pages\/299\/revisions\/302"}],"wp:attachment":[{"href":"https:\/\/www.unioviedo.es\/cijiet.teatrales\/index.php\/wp-json\/wp\/v2\/media?parent=299"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}