{"id":122,"date":"2018-03-05T21:26:50","date_gmt":"2018-03-05T20:26:50","guid":{"rendered":"http:\/\/www.unioviedo.es\/leonardcohen\/?p=122"},"modified":"2018-11-26T13:31:13","modified_gmt":"2018-11-26T12:31:13","slug":"bird-on-a-wire-y-maria-callas-la-divina","status":"publish","type":"post","link":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/2018\/03\/05\/bird-on-a-wire-y-maria-callas-la-divina\/","title":{"rendered":"Tony Palmer:\u00bbBird on a Wire\u00bb y \u00abMaria Callas, La Divina\u00bb"},"content":{"rendered":"<p>El director de cine, teatral y director de escena oper\u00edstico Tony Palmer\u00a0(<a href=\"http:\/\/www.tonypalmer.org\">http:\/\/www.tonypalmer.org<\/a>) acude a la C\u00e1tedra para explicar el proceso creativo de dos de sus documentales: uno del \u00e1mbito <em>cl\u00e1sico<\/em>, al que ha dedicado casi la mitad de su producci\u00f3n documental (m\u00e1s de 60 pel\u00edculas), y otro circunscrito al homenaje a Leonard Cohen, a trav\u00e9s de su documental grabado en 1974, censurado y recientemente recuperado <em>Bird on a Wire.<\/em><\/p>\n<p>Presenta: Encina Cortizo<\/p>\n<p>D\u00edas: 29 y 30 de marzo de 2017<\/p>\n<p>Lugar: Sal\u00f3n de actos de la biblioteca de la Facultad de FyL, Universidad de Oviedo<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-195\" src=\"http:\/\/www.unioviedo.es\/leonardcohen\/wp-content\/uploads\/2018\/03\/IMG_6309-300x225.jpg\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/www.unioviedo.es\/leonardcohen\/wp-content\/uploads\/2018\/03\/IMG_6309-300x225.jpg 300w, https:\/\/www.unioviedo.es\/leonardcohen\/wp-content\/uploads\/2018\/03\/IMG_6309-768x576.jpg 768w, https:\/\/www.unioviedo.es\/leonardcohen\/wp-content\/uploads\/2018\/03\/IMG_6309-1024x768.jpg 1024w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/p>\n<h3>\u00a0<em>Bird on a Wire\u00a0<\/em>y\u00a0<em>Mar\u00eda Callas, la Divina<\/em><\/h3>\n<p><em><strong>Uniovi:<\/strong><\/em>Tony Palmer presentar\u00e1 en la Universidad de Oviedo sus documentales dedicados a Mar\u00eda Callas y a Cohen<\/p>\n<p><a href=\"https:\/\/goo.gl\/Nk8MRT\">https:\/\/goo.gl\/Nk8MRT<\/a><\/p>\n<p><em><strong>La Nueva Espa\u00f1a,<\/strong><\/em> 30 de marzo:\u00a0\u201cLas canciones de Cohen sirvieron para que sus poemas se vendieran por millones\u201d<\/p>\n<p><a href=\"http:\/\/www.lne.es\/sociedad\/2017\/03\/30\/canciones-cohen-sirvieron-poemas-vendieran\/2081479.html\">http:\/\/www.lne.es\/sociedad\/2017\/03\/30\/canciones-cohen-sirvieron-poemas-vendieran\/2081479.html\u00a0<\/a><\/p>\n<div class=\"page\" title=\"Page 35\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><em><strong>El Comercio, <\/strong><\/em>30 de marzo<em><strong>:<\/strong><\/em>\u00a0\u201cOnassis nunca am\u00f3 a Callas\u201d<\/p>\n<p><a href=\"http:\/\/www.elcomercio.es\/gente-estilo\/201703\/30\/onassis-nunca-callas-20170330001508-v.html\">http:\/\/www.elcomercio.es\/gente-estilo\/201703\/30\/onassis-nunca-callas-20170330001508-v.html\u00a0<\/a><\/p>\n<div class=\"page\" title=\"Page 37\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><em><strong>La Nueva Espa\u00f1a Digital:<\/strong><\/em>\u00a0\u201cLas canciones de Cohen sirvieron para que sus poemas se vendieran por millones\u201d<\/p>\n<p><a href=\"https:\/\/goo.gl\/ODfsqe\">https:\/\/goo.gl\/ODfsqe<\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>El director de cine, teatral y director de escena oper\u00edstico Tony Palmer\u00a0(http:\/\/www.tonypalmer.org) acude a la C\u00e1tedra para explicar el proceso creativo de dos de sus documentales: uno del \u00e1mbito cl\u00e1sico, al que ha dedicado casi la mitad de su producci\u00f3n documental (m\u00e1s de 60 pel\u00edculas), y otro circunscrito al homenaje a Leonard Cohen, a trav\u00e9s &hellip; <a href=\"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/2018\/03\/05\/bird-on-a-wire-y-maria-callas-la-divina\/\" class=\"more-link\">Sigue leyendo <span class=\"screen-reader-text\">Tony Palmer:\u00bbBird on a Wire\u00bb y \u00abMaria Callas, La Divina\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":123,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-sin-categoria"],"_links":{"self":[{"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/posts\/122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/comments?post=122"}],"version-history":[{"count":6,"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/posts\/122\/revisions"}],"predecessor-version":[{"id":445,"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/posts\/122\/revisions\/445"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/media\/123"}],"wp:attachment":[{"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/media?parent=122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/categories?post=122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.unioviedo.es\/leonardcohen\/index.php\/wp-json\/wp\/v2\/tags?post=122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}