{"id":201,"date":"2021-06-22T18:03:04","date_gmt":"2021-06-22T16:03:04","guid":{"rendered":"https:\/\/www.unioviedo.es\/publicaciones_grec\/?page_id=201"},"modified":"2024-12-07T18:38:27","modified_gmt":"2024-12-07T17:38:27","slug":"otras-publicaciones-del-grec","status":"publish","type":"page","link":"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/otras-publicaciones-del-grec\/","title":{"rendered":"Otras publicaciones del GREC"},"content":{"rendered":"\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<p><strong>LIBROS<\/strong><\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group has-black-color has-text-color\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:16% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"268\" height=\"397\" src=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2021\/06\/recreaciones-teatrales-del-quijote-perspectivas-teoricas-lingueisticas-y-culturales.jpg\" alt=\"\" class=\"wp-image-203 size-full\" srcset=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2021\/06\/recreaciones-teatrales-del-quijote-perspectivas-teoricas-lingueisticas-y-culturales.jpg 268w, https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2021\/06\/recreaciones-teatrales-del-quijote-perspectivas-teoricas-lingueisticas-y-culturales-203x300.jpg 203w\" sizes=\"auto, (max-width: 268px) 100vw, 268px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">Mart\u00ednez Mata, Emilio, Mar\u00eda Fern\u00e1ndez Ferreiro y Emmanuel Marigno, <em><a rel=\"noreferrer noopener\" href=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/recreaciones-teatrales-del-quijote-perspectivas-teoricas-linguisticas-y-culturales\/\" target=\"_blank\">Recreaciones teatrales del \u00abQuijote\u00bb. Perspectivas te\u00f3ricas, ling\u00fc\u00edsticas y culturales<\/a><\/em>, Visor Libros, Madrid, 2019.<\/p>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:16% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"229\" height=\"382\" src=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2021\/07\/RECEPCION-E-INTERPRETACION.jpg\" alt=\"\" class=\"wp-image-227 size-full\" srcset=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2021\/07\/RECEPCION-E-INTERPRETACION.jpg 229w, https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2021\/07\/RECEPCION-E-INTERPRETACION-180x300.jpg 180w\" sizes=\"auto, (max-width: 229px) 100vw, 229px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">Mart\u00ednez Mata, Emilio, y Pablo Jos\u00e9 Carvajal Pedraza, <em><a href=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/recepcion-e-interpretacion-del-quijote\/\">Recepci\u00f3n e interpretaci\u00f3n del \u00abQuijote\u00bb<\/a><\/em>, Visor Libros, Madrid, 2019.<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>ART\u00cdCULOS ACAD\u00c9MICOS EN ABIERTO<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00c1lvarez Faedo, Mar\u00eda Jos\u00e9, \u00ab<a href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/ang-2023-0022\/html\">Thomas D\u2019Urfey\u2019s Adaptation of Cervantes\u2019s <em>Quixote<\/em>: <em>The Comical History of Don Quixote<\/em><\/a>\u00bb,\u00a0<em>Anglia<\/em>, 141 (2023), pp. 303-29.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mart\u00ednez Mata, Emilio, <a href=\"http:\/\/www.reichenberger.de\/Pages\/hd1_16.html\">\u00abEl Quijote como novela sat\u00edrica: Cadalso y las <em>Cartas marruecas<\/em>\u00bb<\/a>,\u00a0<em>La actualidad de los estudios de Siglo de Oro<\/em>, Reichenberger, 2023, pp. 190-98.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Serrano Gonz\u00e1lez, Raquel, \u00ab<a href=\"https:\/\/journals.yu.edu.jo\/jjmll\/Issues\/vol15no22023\/20.html\">John Dryden\u2019s <em>The Rival Ladies<\/em> and Cervantes\u2019s <em>Las dos Doncellas<\/em>: A Comparative Study<\/a>\u00bb,\u00a0<em>Jordan Journal of Modern Languages and Literatures<\/em>, 15 (2023), pp. 741-63.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fern\u00e1ndez Ferreiro, Mar\u00eda, <a href=\"https:\/\/analescervantinos.revistas.csic.es\/index.php\/analescervantinos\/article\/view\/539\">\u00abUna aproximaci\u00f3n a la recepci\u00f3n del\u00a0<em>Quijote<\/em>\u00a0en el teatro ingl\u00e9s contempor\u00e1neo<\/a>\u00bb,\u00a0<em>Anales Cervantinos<\/em>, LV (2023), pp. 93-113.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00c1lvarez Faedo, Mar\u00eda Jos\u00e9, \u00ab<a href=\"https:\/\/bas.journals.uvt.ro\/wp-content\/uploads\/DOI-10.35923-BAS.29.04-p41-50.pdf\">Mabel Dearmer\u2019s approach to Cervantes\u2019s novel in her play Don Quixote. A romantic drama\u00bb<\/a>,\u00a0<em>British and American Studies<\/em>, 29 (2023), pp. 41-50.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mart\u00ednez Mata, Emilio, \u00ab<a href=\"https:\/\/digibuo.uniovi.es\/dspace\/bitstream\/handle\/10651\/64804\/38.-Marti%cc%81nez-Mata.pdf?sequence=3&amp;isAllowed=y\">Realismo cervantino y novela moderna<\/a>\u00bb.\u00a0<em>De mi patria y de m\u00ed mismo salgo: actas del X Congreso Internacional de la Asociaci\u00f3n de Cervantistas<\/em>, Editorial Universidad de Alcal\u00e1, Madrid, 2022, pp. 645-62.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Serrano Gonz\u00e1lez, Raquel, \u00ab<a href=\"https:\/\/www.degruyter.com\/document\/doi\/10.1515\/ang-2022-0003\/html\">Beaumont and Fletcher Rewrite Cervantes: <em>Love\u2019s Pilgrimage<\/em>, a Farcical Representation of Spain and a Subversion of Jacobean Patriarchy<\/a>\u00bb,\u00a0<em>Anglia<\/em>, 140 (2022), pp. 19-49.<\/li>\n<\/ul>\n<\/div><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fern\u00e1ndez Ferreiro, Mar\u00eda, y Mar\u00eda \u00c1lvarez \u00c1lvarez, <a href=\"https:\/\/revistas.ucm.es\/index.php\/TRET\/article\/view\/73981\" target=\"_blank\" rel=\"noreferrer noopener\">\u00abLa base de datos Q.Theatre: El <em>Quijote<\/em> en la escena europea\u00bb<\/a>, <em>Tal\u00eda. Revista de estudios teatrales<\/em>, 3 (2021), pp. 37-44. DOI: 10.5209\/tret.73981.<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"536\" height=\"760\" src=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/01\/La-base-de-datos-Q.Theatre.jpg\" alt=\"\" class=\"wp-image-361\" style=\"width:156px;height:222px\" srcset=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/01\/La-base-de-datos-Q.Theatre.jpg 536w, https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/01\/La-base-de-datos-Q.Theatre-212x300.jpg 212w\" sizes=\"auto, (max-width: 536px) 100vw, 536px\" \/><\/figure>\n<\/div>\n\n\n<ul class=\"wp-block-list\">\n<li>L\u00f3pez Navia, Santiago, <a href=\"https:\/\/dadun.unav.edu\/handle\/10171\/62663\" target=\"_blank\" rel=\"noreferrer noopener\">\u00abLa de Camacho y otras burlas en la comedia dieciochesca <em>Las bodas de Camacho<\/em> de Antonio Valladares de Sotomayor\u00bb<\/a>, en <em>Burlas, burladores y burlados en Cervantes<\/em>, ed. C. Mata Indur\u00e1in, Servicio de Publicaciones de la Universidad de Navarra, Pamplona, 2021, pp. 57-79.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mart\u00ednez Mata, Emilio, <a href=\"https:\/\/edizionicafoscari.unive.it\/it\/edizioni\/libri\/978-88-6969-580-3\/las-recreaciones-teatrales-en-el-examen-de-la-rece\/\" target=\"_blank\" rel=\"noreferrer noopener\">\u00abLas recreaciones teatrales en el examen de la recepci\u00f3n del <em>Quijote<\/em>\u00bb,<\/a> en <em>Admiraci\u00f3n del mundo. Actas selectas del XIV Coloquio Internacional de la Asociaci\u00f3n de Cervantistas<\/em>, ed. A. J. S\u00e1ez, Biblioteca di Rassegna Iberistica, 24, Edizioni Ca\u2019Foscari, Venezia, 2021, pp. 59-78. DOI: 10.30687\/978-88-6969-579-7\/003.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fern\u00e1ndez Ferreiro, Mar\u00eda, \u00ab<a href=\"https:\/\/www.resad.com\/Acotaciones.new\/index.php\/ACT\/article\/view\/390\/711\">Quijote, teatral y popular.\u00a0<em>El Quijote en la calle<\/em>\u00a0de Argamasilla de Alba<\/a>\u00bb,\u00a0<em>Acotaciones. Investigaci\u00f3n y creaci\u00f3n teatral<\/em>, 47 (2021), pp. 263-285.<\/li>\n<\/ul>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Rodrigues-Moura, Enrique, <a href=\"https:\/\/fis.uni-bamberg.de\/handle\/uniba\/51818\" target=\"_blank\" rel=\"noreferrer noopener\">\u00abEl celoso extreme\u00f1o de Miguel de Cervantes: variantes de elocuci\u00f3n y variantes de po\u00e9tica\u00bb<\/a>, en <em>Literatura comparada: ci\u00eancias humanas, cultura, tecnologia<\/em>, org. G. R. Neumann, C. Richter, M. Ilgenfritz Daudt, Class, Porto Alegre, 2021, pp. 97\u2013127. DOI: 10.20378\/irb-51818.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Fern\u00e1ndez Ferreiro, Mar\u00eda, \u00ab<a href=\"https:\/\/papiro.unizar.es\/ojs\/index.php\/tropelias\/article\/view\/3985\">Cuando Shakespeare encuentra el\u00a0<em>Quijote<\/em>: la metaficci\u00f3n en\u00a0<em>Miguel Will<\/em>, de Jos\u00e9 Carlos Somoza<\/a>\u00bb,\u00a0<em>Tropel\u00edas. Revista de Teor\u00eda de la Literatura y Literatura Comparada<\/em>, 33 (2020), pp. 142-152.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Mart\u00ednez Mata, Emilio y Fern\u00e1ndez Ferreiro, Mar\u00eda, <a href=\"https:\/\/www.ehumanista.ucsb.edu\/sites\/default\/files\/sitefiles\/cervantes\/volume8\/14%20Mart%C3%ADnez%20Mata%20%26%20Fern%C3%A1ndez%20Ferreiro.pdf\">\u00abRecreaciones teatrales del\u00a0<em>Quijote\u00a0<\/em>en Europa:\u00a0<em>Quijotes\u00a0<\/em>en escena\u00bb,<\/a> <em>eHumanista\/Cervantes<\/em>, 8 (2020), pp. 183-19.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Serrano Gonz\u00e1lez, Raquel, \u00ab<a href=\"https:\/\/revistas.ucr.ac.cr\/index.php\/filyling\/article\/view\/39104\/39829\"><em>El curioso impertinente<\/em> y <em>The Second Maiden\u2019s Tragedy<\/em>: discursos (auto)subversivos sobre g\u00e9nero y poder<\/a>\u00bb.\u00a0<em>Revista de filolog\u00eda y ling\u00fc\u00edstica de la Universidad de Costa Rica<\/em>, 45 (2019), pp. 117-35.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Carvajal Pedraza, Pablo, \u00ab<a href=\"https:\/\/www.revistahipogrifo.com\/index.php\/hipogrifo\/article\/view\/385\">Personajes quijotescos en las parodias del cine de superh\u00e9roes contempor\u00e1neo<\/a>\u00bb, <em>Hipogrifo: Revista de Literatura y Cultura del Siglo de Oro<\/em>, vol. 6, n\u00ba 2 (2018), pp. 23-37. DOI:\u00a010.13035\/H.2018.06.02.04.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>\u00c1lvarez Faedo, Mar\u00eda Jos\u00e9, \u00ab<a href=\"https:\/\/analescervantinos.revistas.csic.es\/index.php\/analescervantinos\/article\/view\/368\">Detecci\u00f3n y an\u00e1lisis de \u201cerrores separativos\u201d para determinar las fuentes de la traducci\u00f3n al ingl\u00e9s del <em>Quijote<\/em> realizada por Charles Jarvis en el siglo XVIII<\/a>\u00bb,\u00a0<em>Anales cervantinos<\/em>, L (2018), pp. 227-51.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Serrano Gonz\u00e1lez, Raquel, \u00ab<a href=\"https:\/\/publicaciones.unirioja.es\/ojs\/index.php\/cif\/article\/view\/3017\">Cervantes\u2019s interpolated novels in <em>The comical history of Don Quixote<\/em><\/a>\u00bb, <em>Cuadernos de investigaci\u00f3n filol\u00f3gica<\/em>, 43 (2017), pp. 139-66.<\/li>\n<\/ul>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<p><strong>ART\u00cdCULOS DE DIVULGACI\u00d3N<\/strong><\/p>\n\n\n\n<div class=\"wp-block-media-text alignwide is-stacked-on-mobile\" style=\"grid-template-columns:23% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"805\" height=\"845\" src=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/04\/The-Conversation.jpg\" alt=\"\" class=\"wp-image-418 size-full\" srcset=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/04\/The-Conversation.jpg 805w, https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/04\/The-Conversation-286x300.jpg 286w, https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/04\/The-Conversation-768x806.jpg 768w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">Mart\u00ednez Mata, Emilio, <a rel=\"noreferrer noopener\" href=\"https:\/\/theconversation.com\/las-lecturas-de-don-quijote-en-el-teatro-bufon-idealista-o-manifiesto-etico-177019\" target=\"_blank\">\u00abLas lecturas de don Quijote en el teatro: \u00bfbuf\u00f3n, idealista o manifiesto \u00e9tico?\u00bb<\/a>, <em>The Conversation<\/em>, 4 de abril de 2022.<\/p>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-media-text alignwide has-media-on-the-right is-stacked-on-mobile\"><div class=\"wp-block-media-text__content\">\n<p class=\"has-normal-font-size\">Mart\u00ednez Mata, Emilio, <a rel=\"noreferrer noopener\" href=\"https:\/\/elpais.com\/babelia\/2022-04-18\/lo-diferente-nos-enriquece-y-lo-distante-en-el-tiempo.html\" data-type=\"URL\" data-id=\"https:\/\/elpais.com\/babelia\/2022-04-18\/lo-diferente-nos-enriquece-y-lo-distante-en-el-tiempo.html\" target=\"_blank\">\u00abLo diferente nos enriquece (y lo distante en el tiempo)\u00bb<\/a>, <em>Babelia (El Pa\u00eds)<\/em>, 18 de abril de 2022.<\/p>\n<\/div><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"548\" src=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/04\/Instagram-Babelia-1024x548.jpg\" alt=\"\" class=\"wp-image-421 size-full\" srcset=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/04\/Instagram-Babelia-1024x548.jpg 1024w, https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/04\/Instagram-Babelia-300x161.jpg 300w, https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/04\/Instagram-Babelia-768x411.jpg 768w, https:\/\/www.unioviedo.es\/publicaciones_grec\/wp-content\/uploads\/2022\/04\/Instagram-Babelia.jpg 1068w\" sizes=\"auto, (max-width: 706px) 89vw, (max-width: 767px) 82vw, 740px\" \/><\/figure><\/div>\n","protected":false},"excerpt":{"rendered":"<p>LIBROS Mart\u00ednez Mata, Emilio, Mar\u00eda Fern\u00e1ndez Ferreiro y Emmanuel Marigno, Recreaciones teatrales del \u00abQuijote\u00bb. Perspectivas te\u00f3ricas, ling\u00fc\u00edsticas y culturales, Visor Libros, Madrid, 2019. Mart\u00ednez Mata, Emilio, y Pablo Jos\u00e9 Carvajal Pedraza, Recepci\u00f3n e interpretaci\u00f3n del \u00abQuijote\u00bb, Visor Libros, Madrid, 2019. ART\u00cdCULOS ACAD\u00c9MICOS EN ABIERTO ART\u00cdCULOS DE DIVULGACI\u00d3N Mart\u00ednez Mata, Emilio, \u00abLas lecturas de don Quijote &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/otras-publicaciones-del-grec\/\" class=\"more-link\">Continuar leyendo<span class=\"screen-reader-text\"> \u00abOtras publicaciones del GREC\u00bb<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-201","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/wp-json\/wp\/v2\/pages\/201","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/wp-json\/wp\/v2\/comments?post=201"}],"version-history":[{"count":26,"href":"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/wp-json\/wp\/v2\/pages\/201\/revisions"}],"predecessor-version":[{"id":940,"href":"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/wp-json\/wp\/v2\/pages\/201\/revisions\/940"}],"wp:attachment":[{"href":"https:\/\/www.unioviedo.es\/publicaciones_grec\/index.php\/wp-json\/wp\/v2\/media?parent=201"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}