MONOGRAPHIC ISSUE:
PHILOSPHY OF MUSIC

Guest Editor: JULIÁN MARRADES MILLET

J. MARRADES MILLET
A View on the Philosophy of Music

V. GUERREIRO
Thinking Clearly About Music

J. W. LANGO
Why Can Sounds Be Structured as Music?

A. SCHIAVIO
Constituting the Musical Object: A Neurophenomenological Perspective on Musical Research

S. DAVIES
Authentic Performances of Musical Works

J. NEUFELD
Critical Performances

A. BERTINETTO
Paganini Does Not Repeat. Musical Improvisation and the Type/Token Ontology

J. LEVINSON
Musical Beauty

S. E. ECKERSON
Contrarianism in the Philosophy of Music and the Role of the Idea in Musical Hermeneutics and Performance Interpretation

E. NEGRETTO
Expectation and Anticipation As Key Elements for the Constitution of Meaning in Music

D. QUESADA
Musical Experience

M. J. ALCARAZ
Music's Moral Character

C. MORENO
Los oídos prestados y el apeiron sonoro. Notas para una filosofía de la música

J. GARRISON
The Social Value of Ritual and Music in Classical Chinese Thought

Critical Notices

J. ACERO y N. VILLANUEVA
Arte, música y emoción
(JERROLD LEVINSON, Music, Art and Metaphysics)

R. GUIJARRO LASHERAS
En busca del concepto musical: tres criterios clave y una cuestión de misterio
(THEODORE GRACKY y ANDREW KANIA, The Routledge Companion to Philosophy and Music)

 

 

Nota: limbo, Boletín de Estudios sobre Santayana, se publica a partir de 2007 como un fascículo independiente que se envía sin cargo adicional a los suscriptores de teorema junto con el número de otoño.